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Movie-a-Week: 14 to go

The Brothers Bloom (imdb.com)

I’m not sure why this fell flat for me. Clever dialogue. Has two of my favorite current actors (Weisz & Ruffalo). Beautifully shot. But somewhere the story didn’t work. Maybe I like my con movies with just a little less “Rushmore” irony. Or maybe the cons themselves were less imaginative or interesting than the people carrying them out. Not sure, but I didn’t enjoy it nearly as much as I thought I would.

The Fighter (imdb.com)

Enough’s been said about it – a terrific film. Exceptional acting. Only thing I’d point out is that the last quarter of the movie is further proof, much like “The Natural,” that a good story will make a sports movie’s action scenes irrelevant. The boxing sequences were “Rocky III”-bad on the believability scale. And I’m not sure Russell even cared about shooting them very realistic. They were still effective because we actually cared about the people involved. (Also effective because I didn’t know how much I missed Larry Merchant.)

Charlie Valentine (imdb.com)

Seemed like a can’t-miss premise. I think I was hoping for something along the lines of the terrific Terrance Stamp film, “The Limey.” But despite two lead actors that I really liked, the movie regresses to a film that could only have been appreciated in those few years immediately after “Reservoir Dogs” was released. I feel like I’ve seen this “look at all the shooting” ending a dozen times. A really disappointing film.

Inside Job (imdb.com)

Great documentary on the financial crisis. And even though there was no shooting, it definitely plays as bloody as “Charlie Valentine.” An unrelenting set of interviews, with key participants stammering and sweating – they often note who wouldn’t agree to be interviewed and it’s hard to not say, “good choice!” by watching those that did. Also deserves credit for extending the conversation past sub-prime and the overly-simplified “lender vs. homeowner” debate that hides some of the especially-egregious crimes. The ten minutes they spent on the role of higher ed and the self-fulfilling cycle that exists when academics and policy cross paths (or never diverge – as the same individuals move from one to the other cleanly, leaving crumbling messes in their wake)…that was some great dot-connecting. You don’t have to be right or left (Clinton’s years are taken to task as much as anyone’s) to find the information affecting. It’s a smart, goose-bumping, tick-you-off account that’s made me think about some things differently.

28
Apr 2011
POSTED BY chesty
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movie-a-week

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Ah, Bach, Episode 017

Doug, Dan and I spend most of this episode simply re-introducing ourselves to each other. It’s been a while.

Ah, Bach!, Episode 017

Download this episode (right-click and “Save Link As” or “Download Link As”)

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27
Apr 2011
POSTED BY chesty
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ah bach!

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Happy Mother’s Day

I figure as often as I’ve been posting, I’d try a new approach and call out holidays early. I missed Easter.

Hope everyone had a nice weekend. We had a raucous Easter observance with Stacey’s family. (I know, I repeat myself.) Gabe’s currently in hour 29 of a chocolate binge. I’ve scheduled an intervention for this evening, but I’m predicting trouble getting him to unhand that last chocolate bunny. It isn’t going to be pretty.

I picked up the new Martime album over the weekend. It makes me happy.

Have a great week.

25
Apr 2011
POSTED BY chesty
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morning news

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Movie-a-Week: 18 to go

Hereafter (imdb.com)

Might need a ruling on this one. The setup is fantasy, maybe even sci-fi, but the payoff is a subtle, sweet love story…kinda. Not really a story. Two hours of setup leading up to a pleasant (but rushed) moment at the end. The pacing of the entire movie was off, actually. It plodded along until the three story lines finally converged, and then, almost immediately – credits rolled. I appreciate that Eastwood didn’t force much on the viewer, but at some point he didn’t seem to care about the movie’s topic at all. Answering “that’s not important” to the biggest questions the movie raises (whether we conclude spiritual, scientific or hogwash)…well, I didn’t bring it up! Kind of a strange way to get to the point where Matt Damon kisses a girl.

Music was good, though. I have to think about this one more.

Dinner for Schmucks (imdb.com)

A thoroughly unfunny movie, which had me laughing occasionally. A credit to my affection for the two leads, and the complete loss of expectation that I’ve developed for these movies. By the way, when you read “based on the French comedy…” in the synopsis, you probably know what you’re getting.

12
Apr 2011
POSTED BY chesty
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movie-a-week, movies

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05
Apr 2011
POSTED BY chesty
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morning news

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